High-end interiors built on material, light and restraint. And a new discipline — HRED — for the service robots that already work in hotels, hospitals and restaurants, in rooms nobody designed for them.
Residential, hospitality and showroom interiors for clients who are defended against being sold to. Material memory instead of colour symbolism. Texture as a counterpoint to a smooth world.
Service robots already function. The spaces they work in were designed only for humans. Closing that gap is a problem of the built environment — and it is decided at the interior-design stage, where it costs least.
An interior designer decides floor material, corridor width, where the furniture sits, how the light falls, what kind of door closes the room. Those are exactly the decisions that make a space beautiful for a person — and exactly the decisions that make it navigable for a robot.
A matte floor can carry as much tactile richness as polished granite. A generous corridor can be as elegant as a narrow one. The difference is whether the choice was informed. That is what HRED adds to interior design: not engineering, but the knowledge to make the right choice at the moment it costs least.
“It was not me who brought nature inside — it was nature that brought me.”
On material choice · showroom concept, 2026
I am a student of interior design. This site is my portfolio and research base: studies, concepts and the HRED research programme. At this stage I am looking for collaborations, field studies and critique — not commissions. Based in Lippstadt, Nordrhein-Westfalen. English and Portuguese; German in progress.
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